A major contributor to the science of cross cultural education is perspectives, in its essence largely contained in the educational study. Perspective plays an imperative role in the evolution of cross cultural education. Defined as a field of study that looks at how people from differing cultural backgrounds communicate, absorb information, present information, and interact socially in similar and different ways among themselves, and how they enterprise to communicate across cultures; cross cultural education is significantly developed by the idea of perspectives. It seems that the term perspective has largely developed into a technique used to depict relationships. In the case of cross cultural education our study looks at perspectives sociologically, economically, and in some cases psychologically to analyze and explain objects of cultural study. In continuation to this fragment of information the inter-woven term of stereotypes almost goes hand in hand perspectives. As a vast embodiment of people; educators, truth seekers, competitors, and any other depiction of the human genus, bias and prejudice produce conceptions of standardized and simplified ideals. Stereo types define itself as a set of inaccurate, naïve generalizations about a group that allows others to categorize them and treat them accordingly.
For my review, I am attempting to gander at the one-dimensional ideology that may unearth itself in the award winning film Slumdog Millionaire. Slumdog Millionaire written by Simon Beaufoy, winning eight out of its 10 academy award nominations was highly acclaimed and welcomed in universally among many nations. The film sets its views right in the middle of the of the main plot and the biggest experience, ultimately life changing day of our esteemed main characters life. Prior to this point our young character, Jamal a slum dog from Mumbai fighting for his survival and the love his life. His road up to the point the film places its viewers presently, on Who Wants To Be A Millionaire?, consist of the culminating graphic experiences around the country of India. Although the film did so well, it upset the culture that it depicted. By many loyal to the Indian society the film about the impoverish child was said to be a stereotypical Western portrayal, Indians say, that ignores the prosperity and advancement their country has seen. Written by an author of Los Angeles Times, Mark Magnier comments, “the sensibility is anything but Indian; they attribute the film’s sweeping international success in large part to its timing and themes that touch a chord with Western audiences (Magnier, 2009).” Many who had seen the film as offensive made annotations that it’s a white man’s imagined India or remarked that it’s a poverty tour. The films biggest insult to the nation of India is that illustration of the film only displays the paucity and scantiness of this large, vastly populated country. Throughout Jamal’s adventures the film biggest portrayal displayed India as a poverty stricken ghetto with drugs, solicitation, and a horrific industry of sex trafficking. In the movie they show this drug lord as the esteemed force running the city or provinces of India (Magnier, 2009). The film also includes a large portrayal of lawlessness displaying the authority as having little to no power. The film allows this drug tyrant to roam around freely with no fear, dispersing orders and having a hand in just about everything. It’s extremely offensive to depict an entire nation in such a manor making a majority of the community looked poor, homeless, and basically helpless. The film shows the people of Mumbai as people who can’t even help their own cause. In fact, it was quite in considerate to envision a nation with little to no people who was morally sound in the film. Consequentially, the film name in its self is demeaning kind of insulting the country’s dignity. The film name is similar to call it Negro millionaire or border hopper millionaire. I don’t mean to be harsh on the film it seemed a bit unrealistic to display so many people in such a manner. Sakshi Bagai an author from the Legacy notes, “I would point out that throughout the corruption, insensibility and irresponsibility in the movie about police officers or the call center employees, or even the blinding of kids by the mafia to make them beg and earn money, Boyle ignores the most expensive house on earth located in the same city, Mumbai, built by Mr. Anil Ambani and worth one billion U.S. dollars (Bagai, 2009).” Simple facts such as this display are why some concern should be pointed out in the portrayal of this country. I find myself in a bind due to the nature of the film because there is no other way to simply put it, but these ideal are Western Stereotype largely place by our nation. Although there is some truth in Slumdog Millionaire’s display, is more simply put that this film only depicts the harsh truths about India. This is something that we are thought to recognize through comparative education tool in perspectives and explanation of stereotypes. To escape the negative light that has been shared, cross cultural education can help us to see all aspects in culture. I get the idea that this style of education is a form of learning through various experiences through an education seeker life. I believe that the development of this style of education comes from intricate learning experience through various cultures and can help us see thing accordingly. If I am correct about this style of learning, I feel that it is an interesting way to acquire knowledge.
Bibliography
Magnier, M. (2009, January 24). Indain don’t feell good about slumdog millionaire. Retrieved from http://articles.latimes.com/2009/jan/24/world/fg-india-slumdog24
Bagai, S. (2009, Feburary 12). Slumdog millionaire dwells on india’s stereotypes. Retrieved from http://media.www.lulegacy.com/media/storage/paper1262/news/2009/02/12/Entertainment/slumdog.Film.Dwells.On.Indias.Stereotypes-3627637.shtml
(2011). Retrieved from http://dictionary.reference.com/browse/perspective